this thick pressing of the classic blurum13 and luke vibert collaboration is a full package deal... comes complete with a poster and an transparent blue 7 inch... besides records provides.
113958 hours. 3652 days. 156 months. 13 years! the necessary time to create the perfect cheddar? no!? the time it takes for a rum to reach its peak flavor... in this case a blu rum, number 13 to be exact. distilled in luke warm vibert barrels, to create a flavor so timely, so evocative upon first nose, that you can... smell the urgency...

hidden orchestras dawn chorus remixes folgt dem aufschlussreichen album dawn chorus, das neueste album des produzenten und komponisten joe acheson mit immersiven field recordings und ausgedehnten soundscapes zu einer reise durch electronica, deep house und ambient psychedelia. dawn chorus remixes enthält bearbeitungen von max cooper, matthew herbert, throwing snow, the physics house band, nuage, floex, nostalgia 77, wrongtom und skalpel. erhältlich als 2lp mit silbernem prägefolientitel und bedruckten innenhüllen, downloadcode inklusive. das cover-artwork stammt von dem gefeierten künstler und druckgrafiker norman ackroyd.

bon appetit records serve up their debut ep, ’a slice of the pie’. the first of a two part various artists release from an international ensemble, cooking up four cuts of prime, underground grooves.

weve been huge fans of tims work since the release of his first self-titled ep on astrolab. his analogue sound has been described as both death mulch and rare gloom. for his second work for love twelve, he continues the journey into dark spaces with four more deep synth freakers from his fish island school of synthesis studio. after releases on esteemed labels including emotional response, world unknown, bird scarer, hoga nord, rotters golf club (as the asphodells with andrew weatherall) and his own label crimes of the future which he runs with scott fraser, his debut album where is the champion? was released earlier in the year to critical acclaim. tim will continue to push forward and we feel privileged to see him return for a wfl round two.

box set featuring volume 1 - 3 of the bob dylan bootleg series with rare and unreleased tracks from 1961-1991 - available for the first time since its original release in 1991. includes 5 lps and a 36 page booklet.

fresh off the back of his glitterbox remix of camelphat & elderbrooks hit cola, mousse t. drops his first original release on the glitterbox label, showing off the depth of his production skills in this sparkling genre-binding track rock the mic. mousse t. enlists the help of artist taz, the man who became the first uk rapper to sign to hip hop mecca def jam, also earning a prestigious ivor novello award nomination for his writing skills. rock the mic reunites mousse with american song writer inaya day, best known for her unforgettable vocals on the german producer’s biggest record, horny. the catchy hook and toe-tapping groove of intertwine perfectly over smooth strings to make this an irresistible record. the killer collaboration combines hip hop with disco, giving us the best of both worlds. rock the mic lives up to the hype, delivering six minutes of bliss alongside a percussive remix courtesy of kon. kons accapella and instrumental versions round off this full rocking package

invada are thrilled to announce, in conjunction with our partners lakeshore records, the release of the original score to “before the flood”, a documentary serving as a call to action from long time environmental advocate leonardo dicaprio, pressed over 3 discs of black heavyweight vinyl and housed in a triple-gatefold sleeve.
acting as music supervisors for the first time, reznor and ross (the social network, gone girl) worked in tandem with santaolalla (the last of us) and mogwai to compose a blend of music with a cohesive vision.

the patchouli brothers first began throwing parties in an albanian dive bar in torontos east end, but have gone on to grace the stage at a spectrum of the city s establishments. they hold down a residency at a rotating disco jam called beam me up which, while held monthly at the piston, has taken place in a film studio, an artist commune, above a furniture store and inside the great hall. their debut 12inch for basic fingers features two cuts. first up wicked one, a fiery slice of gospel served with a rich piano hook. on the flip we re treated to magic rhythm (of love), a masterclass in pure disco-funk insanity. looking for a peak-time workout with lots of percussion? look no further

the immense popular debut album by the corrs is available on vinyl for the first time ever!
forgiven, not forgotten is the debut album by the corrs. the album was primarily produced by david foster, with additional production by jim corr. it became internationally popular, but nowhere more so than their homeland, where the lp’s four-times-platinum status made it one of the most popular debuts by an irish group.
pressing on 180 gram audiophile vinyl.

red laser ceo il bosco selects four manctalo nukes that rock the label s manchester party on a regular basis. the manchester dj and producer carefully edits these rare or ignored tracks with the help of the another well-known local who only wishes to be known as the bat. play that song is like the smiths decided to have a go at boogie and creates an amazing mix of indie electro funk that shouldn t work but does. a little happiness has had the big italo collectors around europe searching frantically for the original of this lost gem since the track was aired on red laser s soundcloud. who will find it first? pac manc is an amazing dreamy slice of electro boogie ripe for the dancefloor and finishing the ep in style is the heavy drum led afro funk of shotgun rules again, with a synth bassline so big you could see it from mars. this one will live in dj bags for some time. limited to 150. hand stamped in textured grey card sleeves.

danny elfman’s original score for tim burton’s movie “charlie and the chocolate factory” on minty marbled double vinyl, housed in a gatefold sleeve.

ltd edition 40th anniversary 7 inch pic disc
beauty and the beast is the latest in the series of special limited edition david bowie 7- picture discs being released and will be out on 5th january 2018, almost 40 years to the day of its original release on 6th january 1978. beauty and the beast was the second single taken from the album heroes, the second of the berlin trilogy albums recorded with tony visconti and brian eno at the legendary hansa studios in berlin. the track also features robert fripp of king crimson on lead guitar, who claims that his guitar was all recorded in his first take. the a-side of the 7- picture disc features the track with newly remastered audio, mixed by long-time bowie collaborator tony visconti. the aa-side is a previously unreleased live version of blackout, recorded live at deutschlandhalle, berlin on 16th may 1978 during the isolar ii tour.

reissue edition of this classic new york house label. first off is the great johnick classic play the world backed with good time. 2018 repress

llorca known for the success of his first album on f communication in 2001, returned in 2017 for his second album called the garden on must have jazz / membran. this album was a great opportunity for s3a records to work with him on the remix ep of this second album. cuthead, s3a, souleance and rim laurens make here 4 great remixes in completely different styles. this ep goes from the stomping house of cuthead to rim laurens breakbeat ambient, passing by s3a emotional disco/house track featuring georg levin (sonar kollektiv/bbe). s3a records is thrilled to present you llorca’s the garden remix ep.

get physical is proud to announce the release of the first ever album from chicago house luminary dj pierre. entitled wild pitch: the story, it collects originals and remixes old and new, and stands as a testament to the unique skill of one of dance musics most important figures. famously, dj pierre as good as invented the squelch of acid house when playing with his roland tr-303 drum machine as part of phuture back in the late eighties. from there he went on to clock up more than 200 credits under aliases like doomsday, prime one, raving lunatics, ac!d face, dj pierres afro acid project and many more. he also became famous for the wild pitch mixes and alias that lend this album its name: they were characterised by long intros, layer upon layer of strings, repetitive vocal samples, and filtered hypnotic sounds on hard beats. working with labels like strictly rhythm, trax, king street, nite grooves, international deejay gigolo and more recently get physical, pierre has contributed hugely to the global evolution of house music for thirty years plus. this is a timely reminder of that and one that is jam packed with essential tunes that, old or new, still sound impossibly fresh. included is a cover version of donna summers classic and pioneering disco cut ‘i feel love. it is a 9 minute masterpiece of loose drums, wild acid lines and synthesised squelches that build and build before the vocal arrives and carries you away to the stars

the ź is the underground vinyl only record label based by stan preston. the label starts its first release darija featuring an amazing artist mr. sakamaka. the sound of this label relates to avant-garde attitude, enormous deepness and after-hours relevancy.

the son of a radio dj who introduced him to the world of record collecting, harris grew up with music, progressing from violin, to high school drum line, to the jazz studies program at virginia commonwealth university. he also continued working with other instruments and developed an interest in sampling. his development as a producer at first, without a computer or sampler came first learning to replay samples on the drums, piano, bass or guitar. dj harrison finds himself inspired by local musicians in the richmond scene thats as diverse and nonexclusive as they come. among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. he lives and works in jellowstone, a house turned recording compound occupied by his band mates in butcher brown, a garage punk jazz funk group.

new project and new label from the creators of the fantastic 808 box, fundamental records. there are many details that make this project something really unique. these records will become classics if they are not already!. the music of every record is very special, also the artwork and the technic use to print each sleeve, but the concept behind this project something you need to understand, as you can read in the website everything is based in two factors: first, to provide the artist with complete anonymity in order to create in absolute freedom. second, to offer the listener the work of the artist without any external distortions. the use of words to describe or define music is a senseless task. most of the time the intention of descriptive text is not to shed light on the work of the artist, but rather to serve as a promotional tool to drive sales and increase recognition. this often has the unfortunate result of limiting the creator and his work. music is all we need, any other additives are completely dispensable.

as one of the first dutch musicians to establish a vital connection between detroit and amsterdam, orlando voorn has long been recognized as one of the netherland’s most original and inventive producers in the world of electronic dance music. voorn began djing at the tender age of 12 and went on to win the dutch dmc dj championships in 1986 with his own characteristic blend of hiphop and electro. towards the end of the eighties he acquired his first sequencer, packed away his turntables and turned his hand to producing.

12 slammin beasti boys instrumentals ! their first-ever full album of all-new instrumental material !! u s edition

• divine first vinyl appearance by northern english artist, teresa winter
• follow-up to the acclaimed oh tina, no tina 2015 tape for reckno
• dead uncanny ambient / dream pop / entheogenic reveries
• master and cut by matt colton.
• riyl grouper, f ingers, leyland kirby, early afx, delia derbyshire

the revolving eyes, aka cult dj duo rob n zoopsie should need no introduction to the more discerning fan of underground european disco. having recently resurrected their own moderne recordings label the duo bring their sophisticated party manoeuvres to wrong era for the first time. a five track e.p that touches on the classic sounds of chicago, electronica and wave with a distinctly european twist the belgian duo are a much welcomed addition to the family.

da saa - the haunting sound of yemenite israeli funk 1974-1982. fortuna records deliver a stellar compilation of real-life magic created by immigrants from yemen, in tel aviv, from the mid seventies to the early eighties. ranging from extremely rare to previously unreleased, these tracks are a result of a unique scene which blended funk, soul, jazz & disco with traditional yemenite rhythms & sounds. it cannot get more obscure than this! fortuna heads: look out for an unreleased tsvia abarbanel from 1969!!! glorious gatefold lp with a 14 page booklet telling the fascinating story of this movement, for the very first time!

a milano constantine album on vinyl at last! earlier this year, the way we were, dropped digitally and we couldnt sit by and let that stand. slice of spice is proud to team up with different worlds music group to bring this d.i.t.c. crew member’s first official album on wax. this release also include 3 previously unreleased tracks, along with production by dj skizz and marco polo, ensuring this is some official boom bap hip hop, with guests from conway, big twins and fame (m.o.p.). limited to 300 copies on standard black vinyl, so dont sleep!

this is the second release from london duo dark circles on their own dc trax label. the first release was given play on radio 1 s george fitzgerald show and supported by the likes of erol alkan, skream, justin robertson and eric duncan. dc trax 2 sees the first release given the remix treatment by an armoury of heavyweight remixers. phantasy records kamera provides a tuff techno work out of y, emperor machine takes inpiration from his old bizarre inc guise and making use of his old mpc, takes march back to the 90 s raves. the package is finished off by lord of the isles tripping out the well in 2 strong remixes. this will be a limited vinyl release in february which has already earned a play on 2manydjs beats 1 radio show 2x2 .

the martinez brothers return to their own cuttin headz label with a new two track ep. joint custody features collaborations with jerome sydenham, mathew jonson and martin buttrich. first track no pop is a 12 minute acid-influenced workout, channelling both the martinez brothers and sydenhams taste for faster-paced dancefloor-ready basslines alongside jonsons ear for the surreal high-pitched chirps pitch down into classic acid stabs whilst a metallic distorted vocal echoes above clapping hi-hats. affection deficit disorder alongside martin buttrich continues this sense of quirkiness, the titles eponymous acronym repeated over a darker, grooving bassline and spacey keys. the duos final collaboration with the producer, 9 pound hammer appears as a bonus third track on the vinyl release. the joint custody ep is the martinez brothers first release since the incredible success of last years stuff in the trunk featuring miss kittin. the release follows the pairs highly anticipated gig at the launch of landmark new london venue, printworks.

kidnap kid’s birds that fly label got off to a flying start with his ow&#8203,,,,,,n release,‘ moments’ feat leo stannard picking up over two million plays and shaking up the spotify / hype machine charts. next up on the imprint is rising uk star apple&#8203,,,,,,bottom with &#8203,,,,,,‘the ride’ ep, an artist that draws many parallels to kidnap kid’s own early career as he barely has made his way out of his teens but already caught the ear of some of the most sought-after labels and radio establishment. annie mac can’t get enough of him and his releases on kerri chandler’s madtech, zed bias’ biasonic and uk powerhouse black butter records have coined him one of the future figureheads of dance music. applebottom has come to be considered a beatmaker able to transverse genres with that rarest of production talents: the consistent ability to make a straight-up club banger, which makes him the perfect follow up for birds that fly. “‘theride’ was quite a diff&#8203,,,,,,erent piece of music for me, ’he explained of the track, ‘i had been thinking about where i d want to release it and i was pretty stuck. but shortly after i d finished it kidnap kid’s first ep on birds that fly came out, and straight away i felt a connection with the sound and a lot of the music i’ve been making recently. it already feels like it has a clear and distinctive sound forming and i can t wait for my music to be part of that.” applebottom hails from the musical mecca of bristol but shares a pioneering view of its style and output. “&#8203,,,,,,i think a lot of people have just gotten too comfortable making the same sounding dance music - and for me that kind of defeats the point, there’s so much variety in it. i feel that particularly for my generation anyway, we’re a lot younger as producers and it’s kind of our job to be that next generation that produces that next sound. we should be striving to make something new and different and build our own vision of what it should be.

for this album, ebo joined forces with 12-piece band ‘the pelikans’ — from the cape coast region of ghana — led by bessa simmona, with rhythm guitarist fifi orleans lindsay. a genuine ‘holy-grail’ of ghanaian music and one of ebo’s most saught-after.
the album was released on the small abookyi label. named after a nightclub they played in called pelikans, and sung in english and fante, this was the first album where ebo sang on tracks, such as the classic ‘come along’, on which he also plays keyboard. this song clearly defined a new direction in highlife and has become a ghanaian funk anthem. ‘come along’ formed the basis of sadat x’s ‘remember that’ hip hop jam from 2011.
this official mr bongo re-issue is packaged in our new & improved heavyweight ‘tip-on’ sleeves, printed in japan, pressed on high quality vinyl, audio restored to the best of our ability, with label designs and artwork as per the original release.

mm audio has decided to launch a series of various artists periodically. the first of the series includes four different artists with four original tracks. different sounds sought in the scene of young talents who have expressed their sound for this ep.

originally released by the legendary uk house label black vinyl in 1999, “the power ep” quickly became karizma’s breakthrough anthem, showcasing his trademark balance of infectious beats and deeply soulful melodies.
this first time re-issue finally gives those that missed out the chance to experience karizma at his raw best. alongside the anthemic “the power”, (all 8 minutes 84 beautiful seconds of it), it’s the b-side that has the hidden jems.
“the sea” is a classic karizma house workout, flipping beats and groove and giving you that lift of spirit you get when you take in that fresh sea air on a sunny day.
“k ii s” is simply karizma going all out to make sure anyone in the vicinity is irresistibly drawn to the ambient melodies giving way to the body booming, neck-snapping beats. rough, rugged and raw.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

to the 5 boroughs is the sixth studio album by the beastie boys. the album was released on june 14, 2004 internationally, and a day later in the united states. the album debuted #1 on the billboard 200 with 360.000 copies sold in its first week and is certified platinum by the riaa for sales of over 1.000.000 in the u.s. four singles were released from the album, ch-check it out, triple trouble, an open letter to nyc, and right right now now. pressed on 180g vinyl.

hell yeah s next vinyl ep is a first solo release since 2012 from the vendetta suite aka belfasts gary irwin. it features six tracks all handpicked by label boss marco from vast unreleased vaults that have already been played by david holmes and andrew weatherall, and it comes with a great backstory

“i’m not at all sorry, now that he’s dead,
he took my cheese and ate it in my stead,
he’s punished by fate - god, you’ve avenged me.”
- aesop
“the fox and the raven” is the maiden release for denise rabe’s self titled label, conceived to be the channel thru which her personal, unfiltered, haunting sound will find it’s body and voice.
exemplifying this with the 3 cuts on “the fox and the raven”: driven, hypnotic, techno with a chasing sense of urgency, balanced with eeire lamenting melodies, perfectly fitting the tales of lore chosen to illustrate each release like a volume in an odyssey.
concluding this chapter, a limited pressing of 300 reproductions serigraphed, embossed and scented, echoing how like fables, music, occupies a tangible moment in the listeners life and space.

first off, there s up and coming austrian producer demuja, who gives can you feel the love a super deep and funky treatment, brimmed with disco percussion, lush pads and a tight drum pattern. dimitri from paris & dj rocca pair up to deliver an erodiscotique dubstrumental of right now of the highest grandeur bouncy drums, detuned synth stabs, a tropical piano and thined out vocals while going crazy on the handclaps to full effect. nico lahs also takes on can you feel the love, building a classic sounding shuffling house beat around a cheeky string sample that really suits max voice, and really shimmers in the breaks. german combo volksfreude remix hard tons tessio with a full on dramatic house flavor, exploring max vocal in full around a plethora of soft synth strings and vivid acid sequences. v limited press with hand stamp label & sticker.

adrianis debut ep for the label, enter the fire, is the first evidence of a new mutation in the stroboscopic dna, as can be seen by a shift in ignazio mortellaros design work for the label.

die 80s pop annual edition beinhaltet die wichtigsten titel der 80er jahre auf 180 gramm vinyl. bei 30 der besten songs des jahrzehnts sind künstler und hits wie wake me up before you go-go (wham!) / footloose (kenny loggins) / kids in america (kim wilde) / girls just want to have fun (cyndi lauper ) / heaven is a place on earth (belinda carlisle ) und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

vinyl only, alex took his first musical steps by studying piano and guitar at the young age of 6. his fascination for the more outlandish, experimental side of each instrument corrupted his lessons and sent him down a modular synths and tape loop composition wormhole. years later alex resurfaced, got himself clean and, through connections made while spending time as a vocal audience member (and sometimes uninvited participant) at lyman woodard, phil ranelin, and other tribe- and motown-linked gigs in cass corridor during the mid-1970s, spent time as a session musician for earth wind and fire, chic, and prince. it was only toward the mid-90s he found himself enthralled by the techno and house sounds of detroit and chicago so he went into the woodshed and came out firing electronic salvos.

nice price deal !!! indigenous electronic s is a recently launched vinyl only label, seeking to showcase a combination of both known and undiscovered talent. the label s first release is a 4 track ep, by siamak amidi, the creative director of analog room in dubai, as well as a producer, dj and volt music label boss. the ep showcases amidi s experience with the confluence of both analog and digital synthesis. the a side presenting newer material with the b side some of his older unreleased works. -unconditional love- a stripped down affair, deep, dynamic and ethereal without ever losing the focus on the groove with it s tight production. -retro floor vison aspect- takes us further into trippier post 5am territory, also stripped yet with enough going on to keep the senses tantalized, the standout hook to the bassline, swirling micro electronics with a variated jacking high hat, tried and tested. siamak s -tool- is a deep techy driving affair, with light haunting pads above and throughout track with original use of effects on the high end percussion. -you think you know it- is a rolling percussive track that comfortably rides the boundary between house and techno, with well defined low end and sweeping synth pads that once again show s amidi s abilities in the mix down to not swamp the track or dilute the groove. an ep for the dj s dj.

deep and dubby techhouse action

some records are timeless and never age - -happiness is just around the bend- by the main ingredient is one of those records. originally released in 1974, -happiness- was a record before it s time - had it been released a year later it would undoubtedly have been one of the first 12- discs - so as a result, most discerning djs at the time chose to play the album cut. the song is actually a cover of uk prog-jazz band brian auger s oblivion express s version from the year before but main ingredient took the song to a whole new level and, 44 years later, it has become one of the most revered dance tunes of all-time. main ingredient were unlucky with 12- releases, which is why we re delighted to give -evening of love- it s first-ever 12- release! once again this was a 1981 album track which years later it would become a modern soul anthem and rightfully be regarded as one of their best records. fully remastered on limited edition 180 gram heavyweight vinyl.

the very best of inxs, available on vinyl for the very first time!
cut at abbey road studios, pressed on 180 gram double vinyl with download code included.

strut present the first in a series of essential original lp reissues exploring rare and under-rated african, latin and caribbean music classics, curated by duncan brooker. in january 2017, the series kicks off with ‘sugar daddy’, an experimental highlife / disco outing by nigerian highlife guitarist joe king kologbo.

you probably don t know this disco banger, i think there is about 4 or 5 known copies on 7inch, everyone who has a copy has been keeping it quiet. i first heard it from david haffner about 4 years ago and had been after it since then. after a lot of research i came to the conclusion the everyone involved had passed away, but months after giving up after i spotted benitas full name on another related lp credited as a backing singer. i was then able to track down benita who was alive, well and surprised and very happy to hear from me. this one is a beast and will fly out (i find myself saying this far to often).

alongside long-term dj partner harri, domenic cappello has been a sub club resident since 1994. he has released many records under many guises yet this is his first ep under his own name. 2017 also marks 30 years of sub club and it feels fitting for such two landmarks to dovetail as they have. the intruder ep is 3 brilliant tracks that come from a lifetime spent in music.

a collection of tracks written & produced in 2016, milan, italy, including some of his first solo material after focusing on his cw/a project with francesco leali aka clockwork for a few years.
an audio engineer by trade, avatism records electronic music and operates parachute records from his milan-based studio. with original compositions and remixes on nonplus, vakant, decca, r&s and his own imprint, the young italian is well-respected for his own brand of dilapidated, muscular dance music. performing solely as a live act, his improvised transmissions echo through the walls of clubs like fabric, berghain, concrete, panorama bar and festivals of the calibre of sonar, audioriver and exit, either alone or under the guise of cw/a.

the green returns with their first full-length release since 2013’s award-winning hawai’i 13. that record debuted at #1 on the billboard reggae chart and cracked the top 100, as well, before going on to win an unprecedented three na hoku hanohano awards in the band’s native hawaii. after years of touring to support that release, the band focused on making their next record with some longtime musical partners, including producers leslie ludiazo (j boog, hot rain) and christian mochizuki (graves). the band also solicited songwriter/producer brian fennell (ryan tedder, one republic, the fray, third eye blind) to help explore some new elements in their sound. the new release has an amazing mix of pop-influenced lovers rock along with the green’s patented island reggae. guests include jamaican dancehall superstar busy signal, grammy-nominees j boog and rebelution’s eric rachmany, as well as island music veterans fiji and the mana’o company.

dating back to the fledgling early days of the label tales from the second moon by apogee was the first of many peacefrog releases by dan curtin. as with dan’s other early releases tales from the second moon ‘s angular dancefloor groove borrowed from the original motor city blueprint with a melodic sensibility that was drenched in the kind of yearning melancholy that suggested either pain of a heartbroken lover or the brittle dislocation of someone who longed to be transported to a distant galaxy. the acid, strings and complex rhythms contained on this ep originally released in 1993 were soon to become dan’s trademark sound. limited stock available. so be quick!

invoking the power of a stampeding herd of mythical beasts, the animais soar o alarme 12inch is a carnivalesque dancefloor exploration that highlights the unbridled percussive sound for which ninos du brasil have become known. according to the label: the a side presents the shadowy duos original track a rollicking and propulsive explosion of beats unified by steady stomping bellows of unknown origin. the b side sees the bunker resident dj patrick russell providing the first ever remix of a ninos du brasil track, imbued with the precision, discipline and restraint for which he has become known, making animais soar o alarme seem all the wilder for his skillful steadying hand